You see with Sin City: A Dame To Kill For you are been transferred to another dimension. To a whole new reality. And that reality is like snowflakes coming from the sky. It's like the world finally found its black and white expression. It's like colour is more vivid than ever. Sin City: A Dame To Kill For is a movie that captures cinema in its most pure form. A film that opens a gate between reality and the world of comics, a movie that gives name to aesthetic, a moment that levitates the movie experience to a neo-noir feast. Sin City: A Dame To Kill For is that thing that lives through the night, that gives stars to the sky, that makes the grey to look more beautiful than ever. There is no doubt that we are talking about a film that carries in its belly the wonder of creation, the one thing that can turn the cinema experience to a multiple orgasm. Sin City: A Dame To Kill For has the style, that style that is like we are watching a parade of outcasts marching for their glory. It's like that exquisite filmmaking and that visual waterfall that the film has are made in such a way that the spectator feels like he is turned into some kind of demigod. He feels that he is participating in something big. The use of light and darkness are working like a lens that magnifies the experience that is turned into a visceral excitement. Sin City: A Dame To Kill For is a movie that re-evented the neo-noir mythology. It's a movie that set new boundaries to what cinema can do. It's visual agenda makes the spectator to really get inside the movie, to be a part of it, to really digest it and then turn into some kind of a fairy tale's dreamland. Sin City: A Dame To Kill For is like black and white gets its most glorious revenge, is like the sky is giving birth, like dreams are more vivid than ever, is like the earth is giving to the spectator a taste of its own internal beauty. Sin City: A Dame To Kill For is the answer to all of our dreams for something that will come and stir the waters of creation, is the answer to our visions, is the eerie mother of this world, the artistic vulgarity of cinema.
Never before an experience with a movie has been so rich and full of emotion. Never before the bodies and the clothes have been pictured so elegant, so alive. Sin City: A Dame To Kill For is a journey inside the beauty of the crime genre. It's a dive inside the colours of black and white. It's like the world is been transformed into a gigantic tornado that instead of destroying it is creating the art of the frame. The art of the naked body that is swimming and the gun that is firing under the starless sky. Sin City: A Dame To Kill For is the revelation of those emotions that can move the artistic creation to a whole new level that of painting the frame. Because the frames in Sin City: A Dame To Kill For are painted and polished with that powerful spell of creativity that has long hands and touches everything. Those frames are here to teach us that reality can be a waterfall of images, of emotions, of visuals that have inside them the glory of finesse. Because finesse and elegance is what we get from this movie. It's like the painter finally let loose all of his creativity and the frame is speaking in that tone where the theme becomes a part of something big. Of something that came here to take the spectator to another reality. The reality of dreams. Those black and white dreams that have a taste and a slice of color.
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